Tatiana Klepikova is a Faculty of Arts & Science Postdoctoral Fellow at the Women & Gender Studies Institute at the University of Toronto, where she is working on her postdoctoral project about contemporary Russian queer theater and drama. She defended her Ph.D. in Slavic Literary Studies at the University of Passau, Germany, in 2019, after obtaining degrees in Teaching Foreign Languages (English and Spanish) in Yaroslavl (Russia), and Russian and East-Central European Studies in Passau. She is co-editor of several collections of interdisciplinary essays on privacy, including Outside the “Comfort Zone”: Private and Public Spheres in Late Socialist Europe (forthcoming in 2020 by De Gruyter). Tatiana’s work strives to capture and elucidate sites, experiences, and articulations of “marginality” in Russian cultural imagination, especially in literature, media, and the arts of the twentieth and twenty-first centuries. A meeting point of hegemonic and alternative discourses, “marginality” as a social, political, and cultural construct fascinates her by the multiplicity of meanings and readings that may be (counter-)coded in it. It thereby has immense potential to reveal the structures of power, control, and difference that have to do not only with political oppression, but also with imaginativeness and agency, which are often overlooked in connection to (neo)authoritarian settings like Russia. Tatiana’s broader research interests include Soviet and contemporary Russian history and culture, political art, cultural privacy studies, queer studies, performance studies, and histories and cultures of LGBT communities in Eastern Europe.
Christopher Campo-Bowen is an Assistant Professor/Faculty Fellow in the Department of Music at the NYU Faculty of Arts and Science. He completed his Ph.D. in musicology at the University of North Carolina at Chapel Hill. He holds a B.A. in Music with honors in conducting from Stanford University and an M.M. in Orchestral Conducting from The Catholic University of America in Washington D.C. He is also active as a viola player, singer, conductor, and translator. Christopher’s research focuses on music in the Habsburg Monarchy in the nineteenth and twentieth centuries, especially on the relationships between music, ethnicity, gender, and empire. He is particularly interested in the music of the composers Bedřich Smetana, Antonín Dvořák, and Leoš Janáček and how conceptions of ruralness in Czech opera structured notions of subjectivity and identity. His current project investigates the institutional and imperial relationships between Prague and Vienna in the context of operatic performance and exhibition culture. He has published articles in the journals Nineteenth-Century Music and Cambridge Opera Journal and presented at various national and international conferences, including the annual meeting of the American Musicological Society, the Council for European Studies annual conference, the North American Conference on Nineteenth Century Music, and the Branding “Western Music” conference hosted at the Universität Bern. Christopher received a Fulbright grant for the Czech Republic to perform dissertation research; he has also held a Howard Mayer Brown Fellowship from the American Musicological Society and was the recipient of a Council for European Studies Mellon Dissertation Completion Grant.
I teach Russian language, literature, and culture at Williams College, and my research focuses on performance–construed in the broadest possible sense–in Russian culture. I’ve published on topics ranging from early Soviet show trials to the cult of personality surrounding Vladimir Putin.
Anna Zofia Gąsienica Byrcyn is a literary translator and a lecturer. She is interested in modern & ancient languages, literature, translation, art, photography, film, myths in literary texts, folklore, language acquisition & pedagogy, the Tatra Mountains in Polish literature, art, and music.
Dr. Mark Konecny is the Scholarly Communications and Digital Publishing Strategist at the University of Cincinnati. He has been involved in the development of digital media in teaching Humanities for the past 15 years with many disciplines across the curriculum compiling digital curriculum and materials for distance learning in the Humanities: Art History, International Relations, Political Science, Literature, Theater, and Communications, and he has created digital platforms and content for dissemination of rare materials from archive and rare book repositories as well as promotion of digital scholarship in the Humanities. He manages and administers a special collection and research institute that deals with digital content: writing grants, fundraising, supervision, budgeting and procurement and works with issues of digital technology and its application in academic projects and implement technology in the classroom and the interface between the library and academic departments.
He is an editor of the journal Experiment, a scholarly art history journal. In addition to duties as a curator and art historian specializing in Modern Art and the Avant-Garde, he oversaw the transition of the journal from a university published journal to one published and distributed by a major European firm, Brill Publishers, soliciting manuscripts, editing prose, proofreading, revising, and placing illustrations. He has experience negotiating copyright and image right issues. He has worked on several multiyear projects involving faculty and museum professionals from many disciplines from many international universities.
I am a Ph.D. Candidate in Musicology at the University of North Carolina at Chapel Hill. My research centers on Russian music and musicians in the American contexts, migration studies, and musical and material networks.
I am a Ph.D. candidate in History at Carnegie Mellon University in Pittsburgh, PA. My dissertation examines German prisoners of war in the Soviet Union from 1941-1956. I am interested in how they were treated, why they were held for so long, and their role in the Soviet forced labor economy. To access their labor contribution, I digitally map the camp locations with regards to resources and infrastructure developments with the program ArcGIS. The role of the POWs in the early stages of the Cold War is also a major part of my research.