Ph.D Candidate in the Department of Political Science at George Washington University, Visiting Researcher at ISCID (Higher School of Economics)
Dr. Mark Konecny is the Scholarly Communications and Digital Publishing Strategist at the University of Cincinnati. He has been involved in the development of digital media in teaching Humanities for the past 15 years with many disciplines across the curriculum compiling digital curriculum and materials for distance learning in the Humanities: Art History, International Relations, Political Science, Literature, Theater, and Communications, and he has created digital platforms and content for dissemination of rare materials from archive and rare book repositories as well as promotion of digital scholarship in the Humanities. He manages and administers a special collection and research institute that deals with digital content: writing grants, fundraising, supervision, budgeting and procurement and works with issues of digital technology and its application in academic projects and implement technology in the classroom and the interface between the library and academic departments.
He is an editor of the journal Experiment, a scholarly art history journal. In addition to duties as a curator and art historian specializing in Modern Art and the Avant-Garde, he oversaw the transition of the journal from a university published journal to one published and distributed by a major European firm, Brill Publishers, soliciting manuscripts, editing prose, proofreading, revising, and placing illustrations. He has experience negotiating copyright and image right issues. He has worked on several multiyear projects involving faculty and museum professionals from many disciplines from many international universities.
I am an Associate Professor of Political Science at Fordham University based in New York City, USA. Originally from Ukraine, I received my Ph.D. in political science from the University of Toronto and held visiting appointments at the Davis Center for Russian and Eurasian Studies, Harvard University, the Princeton Institute for International and Regional Studies, and Stanford University’s Center on Democracy, Development, and the Rule of Law. In my recent book, Youth Movements and Elections in Eastern Europe (Cambridge University Press, 2017), I examine interactions between nonviolent youth movements and incumbent governments in five post-communist states: Azerbaijan, Belarus, Georgia, Serbia, and Ukraine.
Steven Seegel is Professor of Russian, East European, and Eurasian history at the University of Northern Colorado. He is the author of Map Men: Transnational Lives and Deaths of Geographers in the Making of East Central Europe (University of Chicago Press, 2018), Ukraine under Western Eyes (Harvard University Press, 2013), and Mapping Europe’s Borderlands: Russian Cartography in the Age of Empire (University of Chicago Press, 2012). He contributes to Chicago’s international history of cartography series and has translated over 300 entries from Russian and Polish for the US Holocaust Memorial Museum’s Encyclopedia of Camps and Ghettos, 1933-1945. He is a former director at Harvard of its Ukrainian Research Institute’s summer school and exchange program. Currently, he is a host on three channels at the New Books Network (NBN) for its podcasts, which now reach a million downloads monthly.
Christopher Campo-Bowen is an Assistant Professor/Faculty Fellow in the Department of Music at the NYU Faculty of Arts and Science. He completed his Ph.D. in musicology at the University of North Carolina at Chapel Hill. He holds a B.A. in Music with honors in conducting from Stanford University and an M.M. in Orchestral Conducting from The Catholic University of America in Washington D.C. He is also active as a viola player, singer, conductor, and translator. Christopher’s research focuses on music in the Habsburg Monarchy in the nineteenth and twentieth centuries, especially on the relationships between music, ethnicity, gender, and empire. He is particularly interested in the music of the composers Bedřich Smetana, Antonín Dvořák, and Leoš Janáček and how conceptions of ruralness in Czech opera structured notions of subjectivity and identity. His current project investigates the institutional and imperial relationships between Prague and Vienna in the context of operatic performance and exhibition culture. He has published articles in the journals Nineteenth-Century Music and Cambridge Opera Journal and presented at various national and international conferences, including the annual meeting of the American Musicological Society, the Council for European Studies annual conference, the North American Conference on Nineteenth Century Music, and the Branding “Western Music” conference hosted at the Universität Bern. Christopher received a Fulbright grant for the Czech Republic to perform dissertation research; he has also held a Howard Mayer Brown Fellowship from the American Musicological Society and was the recipient of a Council for European Studies Mellon Dissertation Completion Grant.
My research is focused on domestic factors shaping foreign policy choices in states undergoing political transition. In particular, I am interested in how party politics, economic reforms and social movements impact foreign policymaking in transitional post-Soviet states.
Ala is a PhD Candidate (ABD) in Russian History at the University of Maryland, College Park. Her dissertation examines the nationalization of the Russian monarchy under Alexander III (1881-1894) and its far-reaching social, economic, and political implications. She holds an MA in Comparative History from Central European University (CEU) in Budapest, Hungary, awarded in 2013. Ala received her BA in Political Science and International Relations from the American University in Bulgaria in 2011. At the University of Maryland, she designed and taught during Fall 2016 and Spring 2017 her research methods course “Russian History in Art, Music, Literature, and Film.” During Spring 2017, Ala also underwent a curatorial internship at the Hillwood Estate, Museum & Gardens in Washington DC, which holds the largest collection of Russian art in the West. In January 2018, Ala was selected as a Cosmos Scholar by the Cosmos Club Foundation of Washington, DC.