Brittany Roberts earned her Ph.D. in Comparative Literature from University of California, Riverside. Her work focuses on 20th- and 21st-century Russian and Anglophone literature and cinema, particularly speculative fiction and the environmental humanities. She is currently preparing her first book, which undertakes a comparative analysis of Russian and Anglophone horror literature and cinema focusing on depictions of humans, animals, the environment, and the ecological and metaphysical dynamics that link them. Brittany has published articles and chapters in The Irish Journal of Gothic and Horror Studies, The Spaces and Places of Horror, Plants in Science Fiction: Speculative Vegetation, and the forthcoming collection Fear and Nature: Ecohorror Studies in the Anthropocene. She is especially interested in how horror and other speculative fiction genres disrupt the human-nonhuman binary and in how speculative fiction reconsiders, challenges, and reconceives of our relations with other species.
Russian poetry, women writers, literary translation, translation theory and practice, Slavic folklore, Croatian literature, Serbian literature, gender and sexuality in Slavic cultures, science fiction
World literatures, translation, postcolonial theory, transnationalism, globalization, literature as commodity, paratextual studies, diaspora, exile, immigration, gender studies, critical race studies, climate fiction, global Anglophone literature, Haitian literature, Francophone literature, Czech literature, African literature, African American literature
Sasha Senderovich’s research focuses on the figure of the Soviet Jew as a multifaceted, unstable cultural construct located at the intersection of Jewish and Russian/Soviet cultures, literatures, and cinema. He considers this process of formation in two distinct settings that represent the core foci of his two ongoing research projects. His first project focuses on Russian and Yiddish literary and cultural sources during the 1920s and the 1930s, while the second considers the intersection of Russian Jewish literature and American Jewish literature, in Russian and in English, during the Cold War and post-Soviet periods. Senderovich’s first project consists of a monograph How the Soviet Jew Was Made: Culture and Mobility After the Revolution (in progress, under advance contract with Harvard University Press); and two critical editions of translated literary texts and authorship of critical apparatus, including David Bergelson’s Judgment: A Novel, translated from the Yiddish in collaboration with Harriet Murav (Northwestern University Press, 2017). Senderovich’s second project, to date, consists of two peer-reviewed articles, including in Prooftexts, a top tier journal in comparative Jewish literary studies, as well as public scholarship in publications like the Los Angeles Review of Books, The Forward, and The New Republic.
I am an Associate Professor of Slavic Studies in the Department of Central, Eastern, and Northern European Studies at the University of British Columbia in Vancouver, Canada and the Vice-President of the North American Dostoevsky Society. I specialize in Russian literature and culture of the long nineteenth century, and teach classes about Russian, Slavic and comparative literature and culture. More information about my research and activities can be found on my institutional profile and my personal website.
Svetlana Rasmussen, Ph.D., is an adjunct instructor in World History at the University of Guam. Rasmussen has defended her dissertation “Rearing the Collective: Evolution of the Soviet School Values and Practices, 1953 -1968” in Fall 2019. Born in Perm, Russia, Svetlana Rasmussen first came to the United States in 2006 as a Fulbright scholar to study American History at the University of Nebraska-Lincoln with Dr. Jeannette Eileen Jones. After defending her M.A. thesis, “‘Searching for Answers, for an Identity, for a Cause to Espouse:’ Ethnic Resurgence in the United States, 1963-1974,” Rasmussen returned to Russia to share her expertise in her home community. In 2010, Rasmussen returned to the University of Nebraska-Lincoln to begin her Ph.D. studies in Russian history with Professor Ann Kleimola. Rasmussen’s dissertation examines collectives, essential Soviet social groups that organized the Soviet networks of control and surveillance. Apart from her dissertation research, Rasmussen has collaborated on a variety of digital projects. Currently, Rasmussen is administering her first autonomous digital project: Photoarcheology: Soviet Life in Photographs and Artefacts (http://photoarcheology.org). The project presents amateur and professional photographs from personal collections that recorded the everyday life of people in the Soviet era with thick descriptions of each photograph in English and Russian. Since Spring 2017, Rasmussen has been a volunteer collaborator in Prozhito (http://prozhito.org), a digital archive of personal diaries with most significant holdings of the Russian diaries covering the Russian Civil War and the early Soviet period. Throughout her career, Rasmussen has assumed a variety of teaching roles. In Perm, she taught English as a foreign language to middle school, high school, and university students. At the University of Nebraska-Lincoln, Rasmussen served as a teaching assistant in a variety of classes offered by the Department of History and the Department of Classics and Religious Studies. Since 2013, Rasmussen has served as a tutor in History and Russian for the University of Nebraska-Lincoln Athletics Department. Both in Perm and in Lincoln, Rasmussen has been involved in a variety of community projects. She has served as a judge for the History Day Nebraska state tournament every year since 2012. Since 2016, Rasmussen has also been a reviewer on the Undergraduate Creative Acts and Research Experience (UCARE) project selection committee. The University of Nebraska-Lincoln UCARE program awards grants to support undergraduate research and creative activity. Most recently, Rasmussen has organized a pre-conference workshop on Prozhito at the ASEEES 51st annual convention in 2019 and presented her research on the evolution of the Soviet secondary school system from 1917 to 1958, origins of the collectives at schools, the analysis of the Soviet school photographic narratives, and the Photoarcheology project at the Graduate Student Workshop at the University of California, Berkeley, the 57th Annual Meeting of the History of Education Society, and the 2017 ASEEES Annual Convention.
Victoria Phillips is the author of Martha Graham’s Cold War: The Dance of American Diplomacy, which explores the international political life of Martha Graham to promote the United States on in over thirty nations for every presidential administration from Franklin D. Roosevelt through George H.W. Bush. She has begun her next work, a political biography of Eleanor Lansing Dulles in divided Cold War Europe, 1945-1961. Through Columbia University’s Cultural Initiative at the European Institute, Victoria runs the Cold War Archival Research Project (CWAR) and takes advanced students from Columbia, the London School of Economics, and West Point Military Academy to archives in the US and Europe to conduct primary research on Cold War power, and the intersection of soft and hard. She was a Lecturer in History at the European Institute and Department of History, Associated Faculty at the Harriman Institute, visiting professor at the Institute of International Relations at Corvinus University of Budapest and a Distinguished Fellow at its Institute for Advanced Studies, and will continue in 2020 as a Visiting Fellow in the Department of International History at the London School of Economics. Her articles have appeared in such varied publications as the New York Times, American Communist History, Grant’s Interest Rate Observer, Dance Chronicle, Ballet News, and Dance Research Journal. She has curated several public exhibitions in the United States and Europe, and has lectured at renowned universities, colleges, high schools, arts academies, and international institutes. At present she serves on the boards of the Gilder Lehrman Institute of American History, the European Institute at Columbia University, The British Academy of Dance Scholars, and the Historic Dance Theatre. She is on the editorial boards of American Communist History and Dance Chronicle. Her primary research is held at the Library of Congress as the Victoria Phillips Collection. She is the Chair of the SHAFR Task Force on Remote Research in response to the current COVID crisis.
I teach Russian language, literature, and culture at Williams College, and my research focuses on performance–construed in the broadest possible sense–in Russian culture. I’ve published on topics ranging from early Soviet show trials to the cult of personality surrounding Vladimir Putin.