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MemberGeorge Gilbert

Broadly speaking, my research work has encompassed two major areas to date. The first of these is the radical right in late imperial Russia. This was the subject of my first monograph, titled The Radical Right in Late Imperial Russia: Dreams of a True Fatherland? (Routledge, 2016) The work assessed the changing social dynamics of the populist-nationalist radical right as it emerged in the early twentieth century in Russia. Key concepts examined were national identity, the use of anti-Semitism and the adoption of violence by the major groups assessed. I also considered the civic society projects of the far right and their approach to renewing Russia in the late imperial period, which many of their activists saw as a time of degeneration and decay. This is also something I have explored in research articles. My current research is on martyrdom and martyrology in revolutionary Russia. I am most interested in the wave of martyrdoms on both right and left that emerged in the era of mass violence around the 1905 revolution in Russia, but I will contextualize the project more broadly – cases I have examined span from 1881 to 1917. The project will explore the intersections between these violent, noble deaths that emerged in public life in the late imperial period. I have started the primary research for this, which I hope will form the basis of my second book, and research articles in the future. More recently I have become interested in the history of sport and physical culture in late imperial Russia. I published an article in Slavonic and East European Review on the Sokol movement, and I envisage future research in this area. I have a broad range of teaching experience in European and world history but my primary focus is always the history of modern Russia. My current teaching consists of a number of modules on Russian history from the early nineteenth century to the present day, and a team-taught module on the radical right. I would be pleased to supervise students on aspects of modern Russian history.

MemberZachary Hoffman

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Ph.D. in Modern European History, University of Virginia, December 2017
Dissertation: “Orienting the Empire: Russian Identity and East Asian Imperialism in the Conservative Press, 1894-1905”

M.A. in World History, Miami University, August 2010
Thesis: “Neither This Ancient Earth Nor Ancient Rus’ Has Passed On: A Microhistorical Biography of Ivan Bunin”

B.A. in History with International Studies Minor and Cert…

https://aseees.hcommons.org/members/zacharyhoffman/

MemberChristopher Campo-Bowen

Christopher Campo-Bowen is an Assistant Professor/Faculty Fellow in the Department of Music at the NYU Faculty of Arts and Science. He completed his Ph.D. in musicology at the University of North Carolina at Chapel Hill. He holds a B.A. in Music with honors in conducting from Stanford University and an M.M. in Orchestral Conducting from The Catholic University of America in Washington D.C. He is also active as a viola player, singer, conductor, and translator. Christopher’s research focuses on music in the Habsburg Monarchy in the nineteenth and twentieth centuries, especially on the relationships between music, ethnicity, gender, and empire. He is particularly interested in the music of the composers Bedřich Smetana, Antonín Dvořák, and Leoš Janáček and how conceptions of ruralness in Czech opera structured notions of subjectivity and identity. His current project investigates the institutional and imperial relationships between Prague and Vienna in the context of operatic performance and exhibition culture. He has published articles in the journals Nineteenth-Century Music and Cambridge Opera Journal and presented at various national and international conferences, including the annual meeting of the American Musicological Society, the Council for European Studies annual conference, the North American Conference on Nineteenth Century Music, and the Branding “Western Music” conference hosted at the Universität Bern. Christopher received a Fulbright grant for the Czech Republic to perform dissertation research; he has also held a Howard Mayer Brown Fellowship from the American Musicological Society and was the recipient of a Council for European Studies Mellon Dissertation Completion Grant.

MemberGabrielle Cornish

…8220;Music and the Making of the Cosmonaut Everyman,” Journal of Musicology 36, no. 4 (2019). Forthcoming.

“How Music Has Made Auditory Surveillance Possible,” Slate, 21 August 2019.

“How Imperialism Shaped the Race to the Moon,” The Washington Post, 23 July 2019.

“The Soundtrack to Space Exploration,” Slate, 21 February 2019

“Listening to the Beautiful Game: The Sounds of …

Gabrielle Cornish is a PhD candidate in Musicology at the Eastman School of Music. Her research broadly considers music and everyday life in the Soviet Union. In particular, her dissertation traces the intersections between music, technology, and the politics of “socialist modernity” after Stalinism. Her research in Russia has been supported by the Fulbright Program, the Glenn Watkins Traveling Fellowship, and the Cohen-Tucker Dissertation Research Fellowship from the Association for Slavic, East European, and Eurasian Studies. For the 2019-2020 academic year, Gabrielle will be supported by a Mellon/ACLS Dissertation Completion Fellowship as well as an honorary Alvin H. Johnson AMS-50 Fellowship from the American Musicological Society. Her writing has appeared or is forthcoming in the Journal of Musicology, Sounding Out!Slate, and The Washington Post. She has appeared as a guest to discuss Russian history, culture, and politics on NBC Nightly News, BBC World Service Television, and BBC Radio Newsday. In her free time, she performs Russian-to-English translation, does freelance graphic design, and makes loud (and soft) noises on drums.

MemberFaith Hillis

I am an historian of modern Europe and Russia, with a special interest in nineteenth- and early twentieth-century politics, culture, and ideas. My work explores how Russia’s peculiar political institutions—and its status as a multiethnic empire—shaped public opinion and political cultures. It also interrogates Russia’s relationship with the outside world, asking where the Russian experience belongs in the broader context of European and global history. In addition, I am interested in the theory and practice of the digital humanities. My first book, Children of Rus’: Right-Bank Ukraine and the Invention of a Russian Nation, was published by Cornell University Press in 2013. ( See http://www.cornellpress.cornell.edu/book/?GCOI=80140100088630). Children of Rus’ argues that it was on the extreme periphery of the tsarist empire—a region that today is located at the very center of the independent nation of Ukraine—that Russian nationalism first took shape and assumed its most potent form. The book reconstructs how nineteenth-century provincial intellectuals came to see local folk customs as the purest manifestation of an ancient nation that unified all the Orthodox East Slavs, and how they successfully propagated their ideas across the empire through lobbying and mass political mobilization. Rather than documenting the advance of “national awakenings” on the imperial periphery, Children of Rus’ highlights the flexibility and contingency of national collectives; it reveals the surprising role that men whom we today would identify as ethnic Ukrainians played in the creation of Russian nationalism as well as the unwitting contributions that Russian nationalists made to other nation-building projects that would ultimately challenge the primacy of their movement. In addition, Children of Rus’ offers a bold reconceptualization of state-society relations under tsarism, showing how residents of a diverse and contested peripheral region managed to shape political ideas and identities across Russia—and even beyond its borders. In the book that I am currently researching, Europe’s Russian Colonies: Politics, Community, and Modernity across Borders, my abiding interest in politics, culture, and ideas takes a new direction. A study of the diverse yet close-knit settlements of tsarist émigrés that sprung up in western Europe’s large cities, university towns, and spa resorts over the long nineteenth century, this book provides the first synthetic history of pre-1917 traffic between Russia and Europe. Placing familiar themes in imperial history in an international context, it treats Europe’s “Russian colonies” as incubators of new ideas, cultures, and identities that ultimately traveled back to Russia via literature, correspondence, and return migration. Europe’s Russian Colonies also argues that these unique urban communities shaped the larger societies in which they were located in consequential ways. The “Russian colonies” and their residents played important roles in the articulation of liberal dreams of universalism and freedom. Yet by the late nineteenth century, as they became breeding grounds for radical ideas on both the left and the right, they began to present new challenges to western Europe’s liberal-parliamentary order. My current research is enriched by technology, and I am interested in thinking through how historians can use digital tools to open new avenues for exploration and to communicate their findings to other scholars and the general public. I am particularly interested in using geo-spatial analysis to analyze flows of people, ideas, and commodities over time and across space. For examples of my (ongoing) work in digital mapping, see my Europe’s Russian Colonies (http://worldmap.harvard.edu/maps/6120) and  Publishing the Russian Empire Abroad (https://public.tableau.com/profile/publish/PublishingtheRussianEmpireAbroad/Languagebycity#!/publish-confirm) maps. I have held research fellowships at Columbia University’s Harriman Institute and at Harvard University’s Davis Center for Russian and Eurasian Studies, and have been awarded grants from ACLS, IREX, Fulbright-Hays, and NCEEER, among others.

MemberAmber Nickell

Amber N. Nickell is a Ph.D. Candidate at Purdue University. Her primary research and teaching field is “Modern Central and Eastern European History”; however, she completed minor preliminary exam fields in “Transnational Germany” and “Russian Imperial Borderlands.”  She earned a Master’s degree in American history (2013) and a Bachelor’s degree in European history (2011) from the University of Northern Colorado. She has presented her work at numerous local, national, and international conferences, workshops, and symposia and received a number of awards for her writing, research, service, and teaching. Additionally, she is a recipient of several research grants and fellowships, including the 2016 Auschwitz Jewish Center Fellowship, Title VIII Grants, and most recently the Fulbright Fellowship (Ukraine). Amber’s training as a scholar of both Europe and the United States enables her to conduct research and teach across these fields. Her methodologies transcend the national, focusing on transnational phenomena, including migration, diaspora, deportation, ethnic cleansing, genocide, human rights, and internationalism. Her command of the spatial humanities augments these strengths. Amber’s most recent publication, “Time to Show the Kremlin America’s Full House: The Committee for Human Rights in the Soviet Union, Rabbi Gedalyah Engel, and their Refusnik Adoptees, 1977-1992,” which appeared in The Transnational Yearbook, Volume 1 (Fairleigh Dickenson, 2018), serves as one example. For more details, see: https://rowman.com/isbn/9781683930037/yearbook-of-transnational-history-(2018)-volume-1 Amber’s current project, tentatively titled “Brotherlands to Bloodlands: Ethnic Germans and Jews in Southern Ukraine, Late Tsarist to Postwar” examines coexistence and confluence between the two groups in territories which now fall in Southern Ukraine and Moldova. She considers the astounding territorial, political, and demographic shifts in the region and ponders their impact on intergroup relationships. In doing so, she illuminates historical processes that transformed interactions between ethnic Germans and their Jewish neighbors from neighborly to murderous.

MemberKatherine Bowers

I am an Assistant Professor of Slavic Studies in the Department of Central, Eastern, and Northern European Studies at the University of British Columbia in Vancouver, Canada. I specialize in Russian literature and culture of the long nineteenth century, and teach classes about Russian, Slavic and comparative literature and culture. More information about my research and activities can be found on my institutional profile and my personal website.