Brittany Roberts earned her Ph.D. in Comparative Literature from University of California, Riverside. Her work focuses on 20th- and 21st-century Russian and Anglophone literature and cinema, particularly speculative fiction and the environmental humanities. She is currently preparing her first book, which undertakes a comparative analysis of Russian and Anglophone horror literature and cinema focusing on depictions of humans, animals, the environment, and the ecological and metaphysical dynamics that link them. Brittany has published articles and chapters in The Irish Journal of Gothic and Horror Studies, The Spaces and Places of Horror, Plants in Science Fiction: Speculative Vegetation, and the forthcoming collection Fear and Nature: Ecohorror Studies in the Anthropocene. She is especially interested in how horror and other speculative fiction genres disrupt the human-nonhuman binary and in how speculative fiction reconsiders, challenges, and reconceives of our relations with other species.
Central and Southeastern Europe, digital humanities, film, graphic narrative, mixed media.
Dr. Mark Konecny is the Scholarly Communications and Digital Publishing Strategist at the University of Cincinnati. He has been involved in the development of digital media in teaching Humanities for the past 15 years with many disciplines across the curriculum compiling digital curriculum and materials for distance learning in the Humanities: Art History, International Relations, Political Science, Literature, Theater, and Communications, and he has created digital platforms and content for dissemination of rare materials from archive and rare book repositories as well as promotion of digital scholarship in the Humanities. He manages and administers a special collection and research institute that deals with digital content: writing grants, fundraising, supervision, budgeting and procurement and works with issues of digital technology and its application in academic projects and implement technology in the classroom and the interface between the library and academic departments.
He is an editor of the journal Experiment, a scholarly art history journal. In addition to duties as a curator and art historian specializing in Modern Art and the Avant-Garde, he oversaw the transition of the journal from a university published journal to one published and distributed by a major European firm, Brill Publishers, soliciting manuscripts, editing prose, proofreading, revising, and placing illustrations. He has experience negotiating copyright and image right issues. He has worked on several multiyear projects involving faculty and museum professionals from many disciplines from many international universities.
I am an Associate Professor of Slavic Studies in the Department of Central, Eastern, and Northern European Studies at the University of British Columbia in Vancouver, Canada and the Vice-President of the North American Dostoevsky Society. I specialize in Russian literature and culture of the long nineteenth century, and teach classes about Russian, Slavic and comparative literature and culture. More information about my research and activities can be found on my institutional profile and my personal website.
Amber N. Nickell is a Ph.D. Candidate at Purdue University. Her primary research and teaching field is “Modern Central and Eastern European History”; however, she completed minor preliminary exam fields in “Transnational Germany” and “Russian Imperial Borderlands.” She earned a Master’s degree in American history (2013) and a Bachelor’s degree in European history (2011) from the University of Northern Colorado. She has presented her work at numerous local, national, and international conferences, workshops, and symposia and received a number of awards for her writing, research, service, and teaching. Additionally, she is a recipient of several research grants and fellowships, including the 2016 Auschwitz Jewish Center Fellowship, Title VIII Grants, and most recently the Fulbright Fellowship (Ukraine). Amber’s training as a scholar of both Europe and the United States enables her to conduct research and teach across these fields. Her methodologies transcend the national, focusing on transnational phenomena, including migration, diaspora, deportation, ethnic cleansing, genocide, human rights, and internationalism. Her command of the spatial humanities augments these strengths. Amber’s most recent publication, “Time to Show the Kremlin America’s Full House: The Committee for Human Rights in the Soviet Union, Rabbi Gedalyah Engel, and their Refusnik Adoptees, 1977-1992,” which appeared in The Transnational Yearbook, Volume 1 (Fairleigh Dickenson, 2018), serves as one example. For more details, see: https://rowman.com/isbn/9781683930037/yearbook-of-transnational-history-(2018)-volume-1 Amber’s current project, tentatively titled “Brotherlands to Bloodlands: Ethnic Germans and Jews in Southern Ukraine, Late Tsarist to Postwar” examines coexistence and confluence between the two groups in territories which now fall in Southern Ukraine and Moldova. She considers the astounding territorial, political, and demographic shifts in the region and ponders their impact on intergroup relationships. In doing so, she illuminates historical processes that transformed interactions between ethnic Germans and their Jewish neighbors from neighborly to murderous.