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MemberDaniel W. Pratt

I’m interested in Central and Eastern European literature, culture, film, and intellectual history, from Germany to Russia. My current research focuses on the intersection of literature, philosophy, narrative, and aesthetics from the 18th century to the present day. I work primarily on the 20th and 21st centuries, although I have a continuing interest in the 19th century as well (particularly Romanticism and the development of narratological paradigms). I am currently finishing a book project on constructing non-narrative temporalities in Central Europe. I argue that Central European authors rejected narrative constructions of time, opting instead for forms of episodes, collage, and spectral traces to develop alternative temporal constructions. My next project takes me to the 1980s in Central Europe where the second generation of dissidents rejected not only the socialist regimes but also the opposition of the previous generation.

MemberKatherine Bowers

I am an Assistant Professor of Slavic Studies in the Department of Central, Eastern, and Northern European Studies at the University of British Columbia in Vancouver, Canada. I specialize in Russian literature and culture of the long nineteenth century, and teach classes about Russian, Slavic and comparative literature and culture. More information about my research and activities can be found on my institutional profile and my personal website.

MemberChristopher Campo-Bowen

Christopher Campo-Bowen is an Assistant Professor/Faculty Fellow in the Department of Music at the NYU Faculty of Arts and Science. He completed his Ph.D. in musicology at the University of North Carolina at Chapel Hill. He holds a B.A. in Music with honors in conducting from Stanford University and an M.M. in Orchestral Conducting from The Catholic University of America in Washington D.C. He is also active as a viola player, singer, conductor, and translator. Christopher’s research focuses on music in the Habsburg Monarchy in the nineteenth and twentieth centuries, especially on the relationships between music, ethnicity, gender, and empire. He is particularly interested in the music of the composers Bedřich Smetana, Antonín Dvořák, and Leoš Janáček and how conceptions of ruralness in Czech opera structured notions of subjectivity and identity. His current project investigates the institutional and imperial relationships between Prague and Vienna in the context of operatic performance and exhibition culture. He has published articles in the journals Nineteenth-Century Music and Cambridge Opera Journal and presented at various national and international conferences, including the annual meeting of the American Musicological Society, the Council for European Studies annual conference, the North American Conference on Nineteenth Century Music, and the Branding “Western Music” conference hosted at the Universität Bern. Christopher received a Fulbright grant for the Czech Republic to perform dissertation research; he has also held a Howard Mayer Brown Fellowship from the American Musicological Society and was the recipient of a Council for European Studies Mellon Dissertation Completion Grant.

MemberBrittany Roberts

Brittany Roberts is a Ph.D. candidate in Comparative Literature at University of California, Riverside, where she studies 20th- and 21st-century Russian and Anglophone literature and cinema. She is currently writing her dissertation, which undertakes a comparative analysis of Russian and Anglophone horror literature and cinema focusing on depictions of humans, animals, the environment, and the ecological and metaphysical dynamics that link them. Brittany has published articles and chapters in The Irish Journal of Gothic and Horror Studies and the forthcoming collections Ecohorror, Plants in Science Fiction: Speculative Vegetation, and The Spaces and Places of Horror. She is especially interested in how horror disrupts the human-nonhuman binary and in how speculative fiction reconsiders, challenges, and reconceives of our relations with other species.